Defunto Caguete Lyrics
Bezerra Da Silva
Lyrics
Mas é que fui num velorio velar um malandro
Que tremendo decepção
Eu bati que o esperto era rico e legal
Ele era do time da intregação
O bicho esticado na mesa
Era dedo nervoso e eu não sabia
Enquanto a malandragem fazia a cabeça
O indicador do defunto tremia
Era caguete sim . Era caguete sim .
Eu só sei que a Policia pintou no velório e o dedão do safado apontava pra mim
Era caguete sim. Era caguete sim .
Eu já vi que a Policia rochou no velório e o dedão do coruja apontava pra mim
Caguete é mesmo um tremendo canalha
Nem morto não dá sossego
Chegou no inferno entregou o Diabo
E lá no céu caguetou São Pedro
Ainda disse que não adianta
Por que a onda dele era mesmo entregar
Quando o caguete é um bom caguete
Ele cagueta em qualquer lugar
Era caguete sim . Era caguete sim .
Eu só sei que a Homens pintou no velorio e o dedão do safado apontava pra mim
Era caguete sim . Era caguete sim .
Eu já vi que a Policia rochou no velorio e o dedão do sujeira apontava pra mim
Song & Lyrics Facts
Bezerra da Silva's Defunto Caguete is an iconic Brazilian funk song released in 1982. It was written by Bezerra da Silva and produced by Luiz Carlos Miele for the album of the same name.
The single was released on EMI Records, one of the leading record labels in Brazil at the time. The genre of the track is a combination of traditional samba and funk carioca, with elements of rap and hip-hop. The lyrics were written by Bezerra da Silva himself, and sung by him as lead vocalist with backing vocals from his band members Domingos de Oliveira (guitar), Jairo dos Santos (piano) and Tadeu Pinto (drums). Defunto Caguete has become a classic among Brazilian funk songs, and remains popular to this day. The song has been covered multiple times by various artists, including MC Marcinho, who sampled it in his 2006 hit "Rolê". It has also been featured in numerous films and TV series, such as Elite Squad 2 and City of God. Its powerful lyrics and unique musical style have made it a timeless classic, cementing its place in Brazilian music